A meek tale, the story begins with a Sri Sai Residency, being empty from
past three months and a ghost Geethanjali (Anjali) needs help as she
wants to take revenge on the person responsible for her certain death.
In the backdrop of this, an aspiring director Srinivas (Srinivas Raju)
steps in the same apartment with his friend Vishu (Madhu). What follows
is a burst of activities replete with spoofs, songs and puns. Although,
beneath all these lies a satirical message about the luxuria and
society. Due to certain circumstances, Srinivas meets up with Ramesh Rao
(film buff) head of Easy Solutions for narrating a script. But things
take a solid turn around when he tells the true inspiration behind his
script. Ramesh accepts the offer, and asks Srinivas to travel with the
issue in his life to conclude the screenplay of his film. Whether it is
just cooked up story or there is something to it forms rest of the
storyline.
One could easily get away with saying that
Geethanjali has no REAL story. And they wouldnt be entirely wrong. The
one line description and the detailed description would be pretty much
the same. There’s a very thin line between a truly scary horror film and
one that like a comedy. With an extremely slow pace, Geethanjali never
really starts it keeps testing your patience with zooming shots (main
leads) and camera movements introducing you to the every corner of the
house/grave yard. A very lazy and uninteresting first half clearly gives
you an idea that Kona Venkat has once again tried to play around with
one liner ideas. Movie survives due to some comedy scenes here and there
in the first half. Moving into the second half the viewer doesn’t feel
excited anymore to see what happens next as he can easily guess all the
future proceeding with his eyes closed (except for one.. No Spoilers!!).
The over lengthy and unexplainable climax comes as another torture for
the viewer and one just wants to leave the theater (as he has seen
similar kinda climax in Om Shanti Om).
In other words, the movie has nothing to offer (other than few scenes in the first half) in any of its department involved in film making. Writer Kona Venkat has written the sequences only around a single line idea provided to him and have added the same old family - love - hoo-ha – revenge into the script and that’s it. Music Director Praveen Lakkaraju is fine with the songs, but fails to surprise audience with suspense and thrilling tunes. The cameraman (Sri Sai Ram) gives his best for the film, nearly succeeded in connecting audiences to major scenes of the film. Dialogues in the film are routine. Editing of the film is mediocre. However, editor should have used his scissors well for the second half of the film which appears draggy at times. The film ends abruptly and leaves you perplexed with a number of questions lingering in your head. (Spoilers ahead…) What happened to spirit in lemon till the end? Why did it reappear suddenly? How spirit was easily captured in the cams? Why did Anjali come to apartment 11 Pm for clues? Will Srinivas ever realize Arudra/Athreya are cheaters? There is no concrete situation how come a traditional girl falls in love? How come Brahmanandam was able to deliver final case statement when a murder happens in an apartment in the end (when he is a witness to the event)? Production values of M. V. V. Cinemas are good.
In other words, the movie has nothing to offer (other than few scenes in the first half) in any of its department involved in film making. Writer Kona Venkat has written the sequences only around a single line idea provided to him and have added the same old family - love - hoo-ha – revenge into the script and that’s it. Music Director Praveen Lakkaraju is fine with the songs, but fails to surprise audience with suspense and thrilling tunes. The cameraman (Sri Sai Ram) gives his best for the film, nearly succeeded in connecting audiences to major scenes of the film. Dialogues in the film are routine. Editing of the film is mediocre. However, editor should have used his scissors well for the second half of the film which appears draggy at times. The film ends abruptly and leaves you perplexed with a number of questions lingering in your head. (Spoilers ahead…) What happened to spirit in lemon till the end? Why did it reappear suddenly? How spirit was easily captured in the cams? Why did Anjali come to apartment 11 Pm for clues? Will Srinivas ever realize Arudra/Athreya are cheaters? There is no concrete situation how come a traditional girl falls in love? How come Brahmanandam was able to deliver final case statement when a murder happens in an apartment in the end (when he is a witness to the event)? Production values of M. V. V. Cinemas are good.