| 
|||||||||||||||||||||||||||||||||||||||||||||||
Story : 
Balaram (Venkatesh) is a good hearted strongman of 
the village of Bheemarajapuram. He treats everyone with fairness and 
takes care of their needs. But there is one thing that Balaram cannot 
tolerate and that is lying. If he catches someone lying, Balaram metes 
out a severe punishment to the offender. 
Into this scenario comes in Rahman (Ram). Along with
 his sister Sania (Anjali), Rahman comes to the village in search of a 
job. With a brave deed, he falls into the good books of Balaram but 
circumstances force him to change his name to Ram. He soon becomes a 
trusted aide of Balaram and all is well for a while. 
However, Balaram catches Rahman while he is offering
 Namaz and asks him for an explanation. Out of desperation, Rahman 
reveals that he has a younger brother named Rahman. (He says the 
brother’s name is Rahman, since Balaram knows the original guy as Ram). 
This Rahman character is portrayed as a gay and Balaram tasks him with teaching his sister (Shazahn Padamsee) the art of dance. 
Rahman struggles to manage the roles of Ram and 
Rahman and a confusion drama ensues. As can be expected, the truth comes
 out in the end and Balaram is outraged. Will he forgive Rahman? That 
forms the story of ‘Masala’ 
Plus Points : 
Venkatesh is quite entertaining as Balaram. Some of 
his butler english dialogues manage to evoke a strong response from the 
viewers. Ram looks good and he has managed to portray both the 
characters of Ram and Rahman quite effortlessly. He manages to make 
people laugh with his gay comedy. 
The movie has some entertaining moments in the first
 half. A few comedy scenes between Venkatesh and Jayaprakash Reddy have 
come out well. In the second half, Ram’s gay comedy sequences have come 
out well. 
Minus Points : 
Rohit Shetty liberally borrows ideas from Telugu 
films and ‘Bol Bachchan’ is no exception. To ‘remake’ a film like that 
in Telugu is a strange idea. Rohit Shetty’s films work due to the good 
entertainment quotient but they usually do not have strong story lines. 
‘Masala’ too suffers from this issue. 
The plot is quite stale and outdated. Kovai Sarala’s recording dance scenes look garish. The twists and jokes are quite predictable. 
Another big issue is the placement of songs in
 the film. The songs are quite mediocre and they do not help the film in
 any way. Shazahn Padamsee needs to brush up her acting skills as she 
has one single expression for all emotions. Anjali has been wasted in an
 insignificant role. 
The climax block is terrible, with poor graphics and unnecessary hungama. 
Technical Aspects : 
Cinematography is quite average. Editing is not smooth as there are a number of jump cuts in the film. Thaman’s background score is ok but the songs do not have his trademark energy levels. Anil Ravipudi’s dialogues are good in places. 
Vijay Bhaskar’s direction is not very impressive. Entertainment quotient and pace keep dipping at a number of places. 
Verdict : 
‘Masala’ has a few good moments. Venkatesh and Ram 
have tried their best to carry the film with their comedy timing. But a 
stale plot and outdated screenplay hamper their efforts. Any Masala gets
 a perfect flavour and taste only when the ingredients are blended in the right proportions. Sadly, that is not the case with this ‘Masala’. 
 | 
|||||||||||||||||||||||||||||||||||||||||||||||





