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Story :
Chandi (Priyamani) is a powerful and talented young
lady who is well versed in the art of combat. She is handled by a guy
named Azad (Sarath Kumar) and together, they hunt down some government officials and political leaders. The helpless Police Department turns to the CBI for help and Nagababu comes in as a special officer to tackle the case.
During the course of investigation, some shocking
truths are revealed about Chandi. The young lady has a violent and
tragic past. She belongs to the village of Krishnapatnam and her father
is Ashok Gajapathi Raju (Krishnam Raju). They belong to the Alluri
dynasty.
The village of Krishnapatnam and Ashok Gajapathi
Raju’s family are destroyed by the evil Minister (Ashish Vidyarthi), as
they stand in the way of some lucrative mines.
How this young lady turns into Chandi and avenges the destruction of her family is what the movie is all about.
Plus Points :
Krishnam Raju looks regal as Ashok Gajapathi Raju. Priyamani looks good in a few scenes. Posani manages to tickle the funny bone in one or two scenes.
Minus Points :
‘Chandi’ is a text book
example of how not to make a film. When a national award winning
actress like Priyamani finds herself in such a mindless mess, one can’t
help but feel sad. There is absolutely no logic or conviction in the
narration.
Samudra’s direction is very bad. Dialogues are
terrible and cheesy. There is no entertainment quotient at all, save for
a few scenes involving Posani. Sarath Kumar and Vinod Kumar have been
wasted in poorly written roles. Ashish Vidyarthi is made to look foolish
in the film.
There is no emotional conviction in the film.
Despite issues like land grabbing etc, the scenes do not make any impact
on viewers. The famous anthyakshari scene from ‘Gabbar Singh’ has been
destroyed in the film. Poor Harish Shankar will have a heart attack if
he sees how the scene has been used in this movie.
The film’s pace is quite slow and boredom sets in quite early. Poor placement of songs just adds to the misery.
Technical Aspects :
Cinematography of the film is very mediocre. Editing
is not up to the mark as there are jump cuts in the film and
transitions are not smooth. Music and background score are very bad and
do not help the film in any way.
Samudra’s direction is the biggest drawback for the
film. There is neither entertainment nor serious political drama in the
film.
Verdict :
‘Chandi’ is an avoidable flick. The
tagline of the film is ‘The Power of Woman’. But it should have been
‘The Power of Torture’. Poor direction, weak screenplay, bad dialogues
and atrocious placement of songs just make this film unbearable. |
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Chandi Movie Review, Rating
Masala Movie Review, Rating
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Story :
Balaram (Venkatesh) is a good hearted strongman of
the village of Bheemarajapuram. He treats everyone with fairness and
takes care of their needs. But there is one thing that Balaram cannot
tolerate and that is lying. If he catches someone lying, Balaram metes
out a severe punishment to the offender.
Into this scenario comes in Rahman (Ram). Along with
his sister Sania (Anjali), Rahman comes to the village in search of a
job. With a brave deed, he falls into the good books of Balaram but
circumstances force him to change his name to Ram. He soon becomes a
trusted aide of Balaram and all is well for a while.
However, Balaram catches Rahman while he is offering
Namaz and asks him for an explanation. Out of desperation, Rahman
reveals that he has a younger brother named Rahman. (He says the
brother’s name is Rahman, since Balaram knows the original guy as Ram).
This Rahman character is portrayed as a gay and Balaram tasks him with teaching his sister (Shazahn Padamsee) the art of dance.
Rahman struggles to manage the roles of Ram and
Rahman and a confusion drama ensues. As can be expected, the truth comes
out in the end and Balaram is outraged. Will he forgive Rahman? That
forms the story of ‘Masala’
Plus Points :
Venkatesh is quite entertaining as Balaram. Some of
his butler english dialogues manage to evoke a strong response from the
viewers. Ram looks good and he has managed to portray both the
characters of Ram and Rahman quite effortlessly. He manages to make
people laugh with his gay comedy.
The movie has some entertaining moments in the first
half. A few comedy scenes between Venkatesh and Jayaprakash Reddy have
come out well. In the second half, Ram’s gay comedy sequences have come
out well.
Minus Points :
Rohit Shetty liberally borrows ideas from Telugu
films and ‘Bol Bachchan’ is no exception. To ‘remake’ a film like that
in Telugu is a strange idea. Rohit Shetty’s films work due to the good
entertainment quotient but they usually do not have strong story lines.
‘Masala’ too suffers from this issue.
The plot is quite stale and outdated. Kovai Sarala’s recording dance scenes look garish. The twists and jokes are quite predictable.
Another big issue is the placement of songs in
the film. The songs are quite mediocre and they do not help the film in
any way. Shazahn Padamsee needs to brush up her acting skills as she
has one single expression for all emotions. Anjali has been wasted in an
insignificant role.
The climax block is terrible, with poor graphics and unnecessary hungama.
Technical Aspects :
Cinematography is quite average. Editing is not smooth as there are a number of jump cuts in the film. Thaman’s background score is ok but the songs do not have his trademark energy levels. Anil Ravipudi’s dialogues are good in places.
Vijay Bhaskar’s direction is not very impressive. Entertainment quotient and pace keep dipping at a number of places.
Verdict :
‘Masala’ has a few good moments. Venkatesh and Ram
have tried their best to carry the film with their comedy timing. But a
stale plot and outdated screenplay hamper their efforts. Any Masala gets
a perfect flavour and taste only when the ingredients are blended in the right proportions. Sadly, that is not the case with this ‘Masala’.
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Masala Telugu Movie Review, Rating
Masala - Cast & Crew
- Venkatesh
- Ram
- Anjali
- Shazahn Padamsee
- K. Vijaya Bhaskar
- Daggubati Suresh Babu
- Masala Movie Rating: 3.25/5
- Release Date:
Genre: Comedy - RomanceLanguage: TeluguDirector: K.Vijaya BhaskarMasala - StoryMasala is the story of Rahman (Ram Pothineni) stays with his sister Sania (Anjali) and they are legally fighting to get the title of their property. But, the odds turn against them and they lose the case.Their well-wisher, Narayana (M S Narayana), advises and convinces them to migrate to his village Bheemarajupuram, and assures Rahman that he will get him a job at his owner's place. And the owner is none other than the powerful Balaram (Venkatesh Daggubati).
Rahman accidentally falls victim to an indistinct situation which makes him lie about his name in front of the villagers in Bheemarajupuram... Hence, a series of cover-ups, goof-ups and comic situations comes up, where to cover one lie; Rahman starts padding up witha bigger lie telling people that he also has a twin brother and then, starts the real story.
Ram lands up working as a supervisor with the lie hater Balaram. Destiny plays a cruel role and forces Ram to perpetrate a bundle of lies in front of Balaram. What happens next? Will Balaram ever come to know about Ram’s real identity and his lie? Watch out the film to know moreMasala - Star PerformanceVenkatesh Daggubati’s comedy timing is good, in fact he's the reason you get some laughs out of the film. The way he says the Telugu lines in English, or the scene where he says 'My English better than British' are just phunny.
Ram was okay as Ram, but he was atrocious in the without moustache Rahman’s character. His performance in the interval bang is more like a drunkard than a gay dude. Ram’s mannerisms in Ram character recall his performance in Ready. Like Ram’s emasculate dance act just before the interval seems elongated and Venkatesh’s fustian English transcriptions, despite being frequently phunny, is so exaggerated that you lose the semantic biffs at several occasions.
Anjali looks completely out of the character, the part where she plays the lover of Venkatesh in past is just feeless. Anjali & Shazahn Padamsee didn't have much to do other than provide scope for romantic numbers. Short dresses didn’t suit Shazahn in the Meenakshi Meenakshi track.
The rest of the cast is as expected, loud and pretty much intolerable except for Jaya Prakash Reddy, Ali & M S Narayana who try to bring in some sort of order and balance to the chaos but of course aren’t given enough room.Masala - Techinical TeamRohit Shetty is really lucky that his films run well at box office inspite of having terrible madcap scripts. But Vijaya Bhasker is not as lucky as him.
Director just lifted nearly every scene from Bol Bachchan and translated them into Telugu. He failed to understand his mantra “Hardwork is keyhole to success”. Working with ever popular formula of lies, lies and more lies creating confusion and more confusion, very much like another phunny phileem in Tollywood. Vijaya Bhasker failed to elevate Anjali’s flashback in an imp active way, even confusion of lies didn’t work well in Telugu.
Thaman SS music was not upto his standards. Even BGM failed to lift thescenes. Vijaya Bhasker totally failed to grab the music he wanted in this film, “Thats why Balaram says music is fire handle with care”. The song shot at Hokkaido, the second largest island in Japan which marks this film as the first Indian movie to shoot in Japan is nicely shot.
Choreography is fine for the other songs. Cinematography is neat, camera work is good in Meenakshi Meenakshi & Ninnu Chuddani songs. Editor could have easily cut short the film by 10-15 min in the film.
Masala just copied Rohit Shetty’s action choreography into Telugu, which just failed. Dialogues are promising especially few English translations are hilarious. Production values are grand.Masala - AnalysisMasala is an official remake of Rohit Shetty’s Hindi film Bol Bachchan which had Ajay, Asin, Abhishek, Prachi & Amtabh in the cast. Despite of having such an impressive cast Hindi version just failed to reach Rohit Shetty’s mark success at box office.
Masala fails from the start as the comedy element didn’t work, the cast is imperfect and they don't seem serious about their performances (leaving Venkatesh Daggubati). It is so shabbily made that you will instantly feel that director Vijaya Bhasker has lost interest in the initial parts of the film.
First half of the film is draggy and second half it makes audience tiresome. Masala is a wearisome entertainer, better avoid it in theatres.
Satya 2 - Telugu Movie Review
Rating:
2.5/5
Ram Gopal Varma is known for his gangster movies in the past. Especially
with his ground-breaking 1998 crime thriller Satya, the filmmaker has
bagged six Filmfare and four Star Screen awards, besides setting a new
trend in the genre. The movie, which narrated the life of the underworld
mafia Satya, was applauded for its detailing and execution. After 15
years, RGV describes the future course of underworld in Satya 2 starring
Sharwanand and Anaika Soti in leads, but he falters this time.
The movie Satya 2 which is a sequel to Satya, does not match the first
film. Sharwanand's performance is the main highlight in the movie.
Interesting script and dialogues, Vikash Saraf's cinematography, Amar
Mohile-Kary Arora's background score, well-choreographed action and
stunts and a few technical stuffs are other big attractions in the film.
But the big drawbacks of the movie are the slow-paced narration and
uninteresting soundtracks.
It should be said here that most of RGV's gangster movies had same
formula in terms of its story, whereas Satya 2 breathes some amount of
freshness in this regard. Radhika Anand, who has written the story for
the film, seems to have drawn inspiration from Mahesh Babu's Telugu film
The Businessman and Upendra's Kannada film Super in parts. But she has
tried her best to bring originality in the script. She has tried to
narrate the current crime scenario in a different angle.
ADVERTISEMENT
The underworld don in Satya 2 is not like the old ones. He is much more
educated and unlike others, he consciously makes an entry into the mafia
world. He has acquired lot of knowledge through research and study of
mistakes made by all previous underworld dons. He starts a new
underworld company that operates just like any corporate organisation.
He also develops ways to deal with the modern day policing methods.
Continue to Satya 2 movie review in the slideshow.

Satya 2 Story
Satya (Sharwanand), is an aspiring don, who enters the scene with
different ideology. Without having any big pertinent contacts in the
city, he dreams to take over the underworld mafia. As a first step in
this direction, he solves the problem of RK and Businessman Lahote
(Mahesh), who is afraid of another don Sangi and police officer
Bharathi, and becomes a reliable member in his gang. How does he become a
frightening mafia? How does he start a highly influential Company?
Answers to these questions will form the crux of the story.



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